n a c h t
l i c h tm. bashô, ‘ os meus dias são viajantes da eternidade.’ k. malevitch, ‘ le reflet - comme dans le mirroir - du modèle sur la toile.’ a. tarkovsky, ‘... the infinite cannot be made into matter, but it is possible to create an illusion of the infinite in the image.’ i. xenakis, ‘ porque não nos sentimos tranquilizados pelo ambiente que nos rodeia, no qual mergulhamos.’ [ n a c h t l i c h t ] n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t n a c h t l i c h t [ synopsis ] nachtlicht wants to be the capturing process of a space in real-time. the perception of this while it is transmitted, taking the indelible modulations of motions made in time by the totality of elements that fill the void. to capture the chaotic movement of a single drop of rainbsupported by the huge mass of air in permanent tension, the harmony of sound waves from the reaction of the tar floor to the heavy passage of the rhythmic stride of an individual , the grimace of a look that finds himself in a world where flow pure concepts adapted to the simplicity of the phenomena that trigger them: to capture the dreams of the individuals, lost in a social tissue each time more sterile and immune to soul´s utopias and beyond bounds. simulating its capture in audio / visual immersion. make it accessible; generate a space zone; travel through the space in imaginary dynamical lines caused by real sensations ( assuming real is real ) that twist to the flavor of the mentally generated sound upon its intelligibility. then a rhythm of capture commands and a granular analysis of the meticulous time of occurrence of the phenomena becomes languid, slippery. narrative does not exist: just actions, energy movements carried to the extreme by those who cause it and simultaneously are effect. flow from image to image, mimicking the human mechanism of visual apprehension. ambient. evolutive in real time. the ambient is constituted by a three dimensional space and an active matrix controller of space, sound, light, emerging then in a vision, a mental image of consciousness and for that purpose edified. the space / matrix presents constructions mathematically harmonic, geometric solids according to the euclidean theory, that become shapes / canvas of reception of filmed images, using texture mapping of the 3d solids with previously processed films in real-time. nachtlicht is the immersion in a simulacrum, a passage from one plane of existence to another where the rules are placed in question. spatial omnipresence in relation to control and manipulation of images, whatever they might be: free accessibility to all / any worked instant / moment. to capture all the dynamics of a space zone in its completeness; construct a score of events and its support. Modulate the moments and return them to the refined human sensibility. Image: ./SCAPE.JPG Format: JPEG (Joint Photographic Experts Group JFIF format) Mime type: image/jpeg Class: DirectClass Geometry: 887x597+0+0 Resolution: 150x150 Print size: 5.91333x3.98 Units: PixelsPerInch Type: TrueColor Endianess: Undefined Colorspace: sRGB Depth: 8-bit Channel depth: red: 8-bit green: 8-bit blue: 8-bit Channel statistics: Pixels: 529539 Red: min: 4 (0.0156863) max: 255 (1) mean: 122.52 (0.480469) standard deviation: 72.6982 (0.285091) kurtosis: -1.31007 skewness: 0.106919 entropy: 0.971177 Green: min: 7 (0.027451) max: 254 (0.996078) mean: 107.108 (0.42003) standard deviation: 63.3304 (0.248354) kurtosis: -1.08359 skewness: 0.262482 entropy: 0.959716 Blue: min: 0 (0) max: 247 (0.968627) mean: 78.5458 (0.308023) standard deviation: 49.7898 (0.195254) kurtosis: -0.837562 skewness: 0.598988 entropy: 0.900999 Image statistics: Overall: min: 0 (0) max: 255 (1) mean: 102.724 (0.40284) standard deviation: 62.6492 (0.245683) kurtosis: -0.605341 skewness: 0.490955 entropy: 0.943964 Rendering intent: Perceptual Gamma: 0.454545 Chromaticity: red primary: (0.64,0.33) green primary: (0.3,0.6) blue primary: (0.15,0.06) white point: (0.3127,0.329) Background color: white Border color: srgb(223,223,223) Matte color: grey74 Transparent color: black Interlace: None Intensity: Undefined Compose: Over Page geometry: 887x597+0+0 Dispose: Undefined Iterations: 0 Compression: JPEG Quality: 93 Orientation: Undefined Properties: comment: File written by Adobe Photoshop� 5.0 date:create: 2018-06-07T23:19:46+01:00 date:modify: 2036-09-23T17:02:56+01:00 icc:copyright: Copyright (c) 1998 Hewlett-Packard Company icc:description: sRGB IEC61966-2.1 icc:manufacturer: IEC http://www.iec.ch icc:model: IEC 61966-2.1 Default RGB colour space - sRGB jpeg:colorspace: 2 jpeg:sampling-factor: 1x1,1x1,1x1 signature: bb316d00876e0f815b59c0919ddcdfbf71c2023ba5bf74bd7566b9e17dcf97c8 Profiles: Profile-8bim: 3654 bytes Profile-icc: 3144 bytes Artifacts: filename: ./SCAPE.JPG verbose: true Tainted: False Filesize: 195KB Number pixels: 530K Pixels per second: 52.95MB User time: 0.010u Elapsed time: 0:01.010 Version: ImageMagick 6.9.7-4 Q16 x86_64 20170114 http://www.imagemagick.orgreleased June 8, 2018
Available at https://andresier.bandcamp.com/album/nachtlicht-20184343372.
Attached Files
© 1997-2024 André Sier
Last modified 2024.7110001270128 .1726453317